Synopsis. It received financial support from Italy's Ministry of Tourism and Entertainment [it]. Wandering for a while, he observes the rich flora and fauna of the location and then meets a woman who lets him seduce her. They cry out into the black, as the shadows pass away, into the ground. [13] According to the historian Óscar Lapeña Marchena, the journey in the film can be understood as an attempt to escape from the memory of war and destruction. [15][e], As is typical in the films of the director Franco Piavoli, Nostos: The Return is driven by images and natural sounds rather than dialogue. Original Name: Nostos: Il ritorno. In the building's atrium, a girl is rolling a hoop, mirroring a recurring scene from Odysseus' childhood memories. Sampled pigments from mine tailings. Leider ist Nostos: The Return derzeit bei keinem der auf Moviepilot aufgelisteten Anbietern zu sehen. Lesson Summary. [49] In 2020, Ross McDonnell wrote in a feature article for Sight & Sound's website that Nostos: The Return stands out in Piavoli's filmography because of its level of ambition and its relatively conventional dramatic storytelling. His ship, his garb, his language (what little dialogue in the movie is mostly in Ancient Hellenic- the film comes with no subtitles) and the occasional buildings he encounters are all perfectly designed to match the Hellenic period. The conclusion of his adventure is delayed by many natural obstacles and he takes an internal journey of fleeting memories of his childhood, his parents, love for a beautiful … [11] Piavoli says he thinks the story of Odysseus speaks to modern people because it expresses the timeless human needs for discovery, knowledge, and adventure. Synopsis. [47], In his book of film reviews Il Mereghetti, Paolo Mereghetti gives Nostos: The Return a rating of two and a half stars out of four. After this, he settled in his hometown Pozzolengo, Brescia, and did not release more films until 1982, when his first feature-length documentary film The Blue Planet [it] became a critical success. An enjoyable experience to know, however, I do not consider it so … Synopsis. Merke dir den Film jetzt vor und wir benachrichtigen dich, sobald er verfügbar ist. The costumes were created by Ferruccio Bolognesi [it]. He confronts the most terrible loneliness following a shipwreck in which all the comrades perish. [33] Editing took one year; there was enough recorded material to make nine films. According to Piavoli, Leopardi used the interplay of these techniques to create a sense of the eternal. This FAQ is empty. The film relies on visual storytelling and the portrayal of nature; dialogue is minimal, without subtitles, and spoken … Nostos: The Return. [17][f] Words and sounds are drawn from the Thessaly dialect of ancient Greek, Sanskrit, and Latin. nostos – the return property, legacy, heritage, and a case for connoisseurship. The conclusion of his adventure is delayed by many natural obstacles and he takes an internal journey of fleeting memories of his childhood, his parents, love for a beautiful girl, nostalgia for the past, regret for what he did, and the deep silence that envelops everything. You must be a registered user to use the IMDb rating plugin. Franco Piavoli shows he’s a rare master auteur through Nostos Il Ritorno. [16] His wife Neria Poli is credited for "artistic collaboration". At the end of the war, Odysseus, the wandering hero, with his companions begins his sail back home to the Mediterranean. Understanding enough to know the ambiguity of their own existence, and the lengths to which they have to consider it. [19] The Italian studies scholar Silvia Carlorosi likens the film's language to the way babies communicate with their mothers. Writer(s): Franco Piavoli. [18][g] The film uses single-word utterances that audiences may understand, such as mater ("mother"), which Odysseus says in the cave early in the film, and oikós ("home"), which he says while delirious in the sea. The passage of time in different dimensions illustrated by biological evolution, the changing seasons and the everyday moments of human life. Primi piani di erbe fiori e frutti", "Nostos, Piavoli in Matera with his Ulysses", "Νοστος. [5] The pomegranate is a traditional symbol for fertility and is used as such in several of Piavoli's films. [41] The release was limited to a few locations in the major cities, in part because few cinemas were open. [31] The lead actors Luigi Mezzanotte [it] (Odysseus) and Branca De Camargo (Calypso) were among the few cast members with previous experience of film and television. Despite being at the tail-end of a forty-hour day, I sat there in rapt attention and my interest didn't waver once.Certain shots and images stand out, most of which appeared as memories or reveries: the main character swimming into a huge reflection of the moon, his body's movements as seen from above almost resembling those of an angel; Odysseus' feral screams during a nighttime battle of Troy that continues to haunt him throughout the film; a visit to a beautiful sea cave in which can be heard the distant echoes of whale-song; travailing the mountainous ruins of gargantuan buildings of an earlier age in which are strewn about the bodies of his shipmates; dream-walking through the Knossos labyrinth with what I think was possibly the grunting of the Minotaur audible in the background; amazing shadowy verdant jungles replete with peacocks and clear water streams. [44] La Repubblica's Paolo D'Agostini wrote the use of symbols is powerful, the editing captures the rhythms of nature and the film should be able to affect also those who are sceptical of the variety of cinema it belongs to. [45] Alberto Pesce of the Rivista del cinematografo [it] wrote he was impressed by the visuals and sound alike, and that the film's components blend into a beautiful and concrete whole. Nostos: The Return explores themes of homecoming, the memory of war, time, and man's relationship with nature. [23], Colour and light are used to convey meaning and moods. His ship, his garb, his language (what little dialogue in the movie is mostly in Ancient Hellenic- the film comes with no subtitles) and the occasional buildings he encounters are all perfectly designed to match the Hellenic period. When I watch Nostos: The Return I realize this without any doubt. nostos – the return sampling and re-presentation. [8], Nostos: The Return premiered on 6 August 1989 outside of competition at the Locarno Festival. A friend dubbed them "The Siren's Strait". [7] The film's treatment of memory also differs from Homer's; in Nostos: The Return, the main character's memories of his homeland, childhood, and wartime experience appear to be intrinsic to his journey whereas, in the Odyssey, Odysseus continuously struggles against the risk of forgetting. On one level it functions as the archetypal story of Odysseus and his struggle to return home. Through a window, he sees the shadow of a woman as she puts flowers in a vase and he quietly says the name Penelope. Valoraciones & Críticas. Kuja 4,5. [12], The return of Odysseus to his palace contains a theme of regained identity, birthright, and social position. ... A film inspired by Ulysses' return to Ithica in the Odyssey. The accent is made on the unrestricted power of elements – fire, water, air, earth – beauty of the nature and homesickness. Directed by Franco Piavoli. [36] The ship's sail was soaked in petrol to make it look old and worn. [8], Nostos: The Return was produced by Piavoli and Giannandrea Pecorelli [it] through the companies Zefiro Film and Immagininazione. [9] Piavoli has said his approach to nature is inspired by the poetry of Giacomo Leopardi, who he said portrayed nature with literary equivalents of cinematic close-ups, wide shots, and sound. Piavoli was especially inspired by book XXIII, which narrates Odysseus' need to convince his wife Penelope of his identity after he returns to his kingdom in Ithaca. 1989 ‘Nostos: il ritorno ’ Directed by Franco Piavoli. The pit heap was notorious for its internal burning – hence the red and orange oxides. The return isn't just about returning home physically but also about retaining certain statuses and ret… Experiential cinema through expression more ancient than language, Nostos: The Return is a … April 4, 2021 April 4, 2021 by Michael Shanks. Steve. Odysseus,[a] who is exhausted, is on a ship together with a crew of several men. [16] Spoken dialogue is scarce and, as described in the opening credits, is "inspired by sounds of ancient Mediterranean languages". [c] He wakes up in a cave where several people, including his crew, are sleeping; he wakes up his crew and sets off with them. Ordenar por: Kuja's rating of the film Nostos: The Return. [25], Lapeña Marchena writes that Piavoli's ambition may have been to go to the source of the Odysseus myth, located in the nature of the pre-Homeric Mediterranean world,[9] which may explain why no gods appear as on-screen characters. But this will be the last time. Music: This is some text inside of a div block. The entrance is the same as in the earlier vision and the sun is shining. Reception has been largely positive, with critics praising the film for being beautiful in its depiction of nature. Franco Piavoli creates an experience through its visuals, sending the audience into a real to embrace their own spiritual journey, through the eyes of Odysseus. [b] Returning from the cave, he finds his crew missing and goes to explore the inland. [35] The Cave of the Sibyl in Cumae was used to portray the absence of light. [5] In one scene, Odysseus is seen from above as he swims toward the reflection of the moon in the water, which Piavoli says looks like a sperm moving toward an egg; the search for something steadfast is portrayed as a yearning to return to the embryonic stage. It has been interpreted as a lyrical version of Homer's epic poem, as a simplified retelling, and as an original story. Nostos: The Return ( Italiano : Nostos: Il ritorno ) è un film drammatico d' avventura italiano del 1989 diretto da Franco Piavoli, con Luigi Mezzanotte e Branca De Camargo.Attingendo dall'Odissea di Omero, il film descrive il viaggio di ritorno di Odisseo attraverso il Mar Mediterraneo dopo la guerra di Troia, e le sue lotte contro ostacoli naturali e tormenti interiori. The moon occurs throughout Piavoli's filmography as something imposing that brings calm and tranquility. Cast: Luigi Mezzanotte, Branca de Camargo, Alex Carozzo… Country: This is some text inside of a div block. This journey is usually very extensive and includes being shipwrecked in an unknown location and going through certain trials that test the hero. Anyone who has not contributed significantly to (or nominated) this article may review it according to the good article criteria to decide whether or not to list it as a good article.To start the review process, and save the page. The main character appears as a generic human who makes an emotional discovery of the natural world. L'odissea poetica di Franco Piavoli", https://en.wikipedia.org/w/index.php?title=Nostos:_The_Return&oldid=1018906285, Articles containing Italian-language text, Articles with Italian-language sources (it), Creative Commons Attribution-ShareAlike License, This page was last edited on 20 April 2021, at 14:51. The shadows of screams climb beyond the hills. He thinks ancient stories remain relevant because new myths are linked to the myths of the ancient world. Schaue dir alle Videos jetzt an! Release Year: 1990. Inspired by Homer and his hero, we created Nostos, aiming to provide our guests with the best of memories, so as to have them feeling … The sounds go away and Odysseus focuses on the moon. It has happened before. A travelogue of Valparaiso, Chile, a city built on steep hills. [33] Other locations include Lake Garda, the Brenta Dolomites and the Roman ruins in Sirmione, and places in Sardinia, Veneto, Etruria and Lazio. Dostoevsky's "The Dream of a Ridiculous Man" tells the story of a desperate man disenchanted with the world and at the verge of committing suicide. Nostos: The Return Directed by. [29] His next major film project and his first full-length fiction film was Nostos: The Return. Nostos: The Return. Locarno International Film Festival. The conclusion of his adventure is delayed by many natural obstacles and he takes an internal journey of fleeting memories of his childhood, his parents, love for a beautiful girl, nostalgia for the past, regret for what he did, and the deep silence that envelops everything. They don't seem to remember their mother, and are very... See full summary ». [31], After one year of preparation, Nostos: The Return took one year to film. Nominated by Ffranc at 12:54, 20 February 2021 (UTC). Published . He runs toward the light at the end of the passage and appears to fall into the sea. [32] Some of the other cast members were theatre actors from the Laboratorio Teatro Settimo in Turin and some were non-professionals. [9] Piavoli describes the film's main concern as the conflict between man's drive to explore and his need to have a steady point of reference. The gods, who in Homer's poem rule over men, animals, and plants, may be seen as manifest in nature. Duration: One Hour and 25 Minutes. Nostos: The Return. He has a vision in which he walks through a somber landscape with ruins; he reaches his palace but the building is a dark underground passage in which he finds human skulls. [24] Piavoli has highlighted the film's love scenes, in which the portrayal of human love among the images and sounds of nature was inspired by Leopardi. [39][i] Upon the Italian release, the same critic called the film sublime in its portrayal of a dialectic between nature and culture. With Luigi Mezzanotte, Branca de Camargo, Alex Carozzo, Paola Agosti. There aren't too many of the riddles and snares that you often find in the "arthouse". On another, more resonating level, Nostos feels like being given a first-person journey through some of the world's most beautiful locales and scenery. The conclusion of his adventure is delayed by many … Doctors Jo Wilson, April Kepner, and Andrew DeLuca share the episodes they think are essential to understanding their characters. [48] In 2008, Mary Hanlon of The Brooklyn Rail wrote that the film contains unintentional humour that stems from the performances and erotic symbols, but also some of "the most incredible, fluid, and abstract visual sequences I've ever seen". At the end of the war, Odysseus, the wandering hero, with his companions begins his sail back home to the Mediterranean. He confronts the most terrible loneliness following a shipwreck in which all the comrades perish. A surreal odyssey in which a melancholic maidservant crosses paths with a homicidal little boy, travels to a tiny island and encounters a man with multiple personalities. Nostos: The Return Showing as part of. The last few sense it, withdrawing deep into the forest. We became ensnared in that Siren's Strait a few times over the month-long journey. Non-representation. [4] No subtitles are provided for this invented language; Piavoli says he wants the viewers to lose themselves in the film through "the pleasure of the purely phonetic value of words". Your rating: 0. May 25, 2020 11:04. This film is a heartfelt love letter to nature that I'd forward onto every urbanite who's forgotten that even mankind's greatest and most ingenious work of art can hardly measure up to a single ragged grassy field in beauty.There are maybe a few contrived moments of symbolism that could potentially break the spell for some viewers, the spinning (hula) hoop in particular, but the gentle editing and general feeling of awe swept those thoughts out of my head.I could see this film appealing to a much larger audience than it has. Nostos is a Greek word that literally means a return to roots, or homecoming, particularly to roots near the sea. Get a sneak peek of the new version of this page. Nostos: The Return. Nostos: The Return is an attempt at a more realistic and a bit simplified approach to Odyssey. She connects the film's language and imagery to the influence of Giambattista Vico, a philosopher who regarded poetry and metaphors as the original form of human communication and had both a cyclical and progressive view of history. [46] Pesce was one of several Italian critics who approached the film as a lyrical version of the Odyssey; other approaches have included those of the film critic Massimo Maisetti, who in a 2006 text interpreted it as an original story with references to Homer, and the sociologists Maurizio Ambrosini [it] and Camilla Bartolini, who in a 2012 book viewed it as a simplified but successful retelling of the Odyssey. I don't think it's overly-portentous and it's probably got just enough of a wisp of a plot to hold most viewers' attention. They talk, and agree to see each other again the next ... See full summary », At the end of the war, Odysseus, the wandering hero, with his companions begins his sail back home to the Mediterranean. 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