A Cultural History of Chinese Cinema to 1951 : a course syllabus. %��������� Emphasizes the thematic, cultural, and historical content of films, as well as formal issues of filmmaking techniques. Email: lyang@murrieta.k12.ca.us . Widely considered by the rest of the country as a den of iniquity, catering to foreign invaders walled off in concessions throughout the city, Shanghai presented an ‘anything goes’ attitude that proved enormously fruitful for the upstart new medium. Zhang Yuan, 1993), 88 min. Approaches to Chinese Cinema EAST-UA 618 4 points. Office Hours: All students are subject to the rules, regulations, and policies set forth in the current Bergen Community College Catalog. The development of the cinema in 20th-century China is inextricably linked to the emergence of the modern Chinese nation-state. 2020ST1 ASIA 355 921 syllabus Prof. C. Rea Page 1 of 10 ASIA 355 921: HISTORY OF CHINESE CINEMA 2020S Term 1 Times/Place: Mon/Weds, 9:00am-12:50pm, online via Canvas Collaborate Ultra See information below about scheduling particulars Instructor: Dr. Christopher Rea, Professor of Chinese, UBC Department of Asian Studies [email protected] (604) 822-5428 Online office hours: by … Chinese Cinemas, edited by Carlos Rojas & Eileen Cheng-yin Chow, Oxford University Press, 2013, p320-342 Secondary Readings Huang, Yiju. In this course, students will be exposed to authentic material such as podcasts, movies and short films. Buy Movies. Non-Language Courses. This syllabus is based on a course taught at Heidelberg University, Institute of Sinology in 2009. Course Syllabus Course Description: ... Culture is a critical part of Chinese III curriculum. The course proposes a history of Chinese cinema with a strong focus on the cinema seen as a cultural production linked as such with other cultural issues of the time. Contemporary Chinese art and film are arguably the most vibrant of all national arts at the turn of the millennium and have become the face - both figuratively and literally - of contemporary China, a complex society with historic overlays of Confucianism, Taoism, Buddhism, Communism, Post-socialism, and state capitalism. This syllabus is proprietary material of APUS. Ms. Yang Rm. FA 125: World Cinema - Spring 2010 Brief Course Description from COCC 2009-10 Catalog: FA 125 - World Cinema Introduction to comparative study of compelling feature films and their directors from around the globe, analyzing subject matter, theme, narrative genre, character, film style and technique as expressions of diverse cultural worldviews and distinctive artistic visions. The central idea is to use a selection of films from the internationally acclaimed "new Chinese cinema" as a way to help students better understand the history, politics, society and economy of China in different decades of the twentieth century. Part I: Chinese Films in the Republic Era (1912-1949) Week One: Introduction. Documentary: Mei-Juin Chen, “The Worlds of Mei Lanfang, 2005 (In class) Week Two (Sept. 12-16): Early Chinese Cinema. Red Sorghum, 1987 . chinese cinema syllabus - uwsp 2015. Communic ati ons 3 69 - T op ic s in Fil m, Sp ri ng 201 4 Chinese Cinema in a Global Frame Lecture: T 3:35-4:50 Screening: R 3:35-6:05 CAC 333 Dr. Flannery Wilson Office hours: Monday, Wednesday, 9:00-10:30, and by appt. Queer Cinema and Visual Culture considers queer representation in historical context, asking how literature and popular film participated in the construction and reflection of stereotypes, tropes, and cultural perception of non-normative sexual and gender identities. Equal emphasis will be laid on narrative themes, cinematic technique, and cultural background. Credit only granted for ARTH392 or FILM329L. Web site: Chinese cinema. x��ے����ȝ�jL���+gˮ8�$�x*��}��Y��$�����c���I����H����eiH�ч�h���}�~te���w�b�q�M�q|�>w�����{�֭��޾�ѫ�j���KU���r�ծ�V��?��ݹu?�~p��ݕ�ʕ��k�w�|u��32n��O�-?�Ÿ���j�����Y��O��&>r�›x�m���8���o�l?ܸ/���Gw����۪h��(��*V�N���qw�Sۯ�f����N3��f��G�{`HO����Ϣ�g��WZ��2�ݦ��7eb¼��`�\��u�j���ltY_��%2���Ҡ0�o�.���X,e|���騋�ǵ_w Phone: 951-677-0568, ext. 81–114 • Jie Li. WEEK 9 NOV 29 ABOUT TAIWAN NEW CINEMA AND ITS AFTERLIFE Required Readings Course Syllabus: Chinese I. Ms. Yang Rm. Course Description: Chinese II will continue developing the students’ communicative and literacy skills. this syllabus; this syllabus may NOT be the one that your individual instructor uses for a course that has not yet started. 4 0 obj Get Movies. Short Essay Directions Handed Out February 6, Due in Hard Copy in Class and Via E-mail to swlewis@rice.edu on Tuesday, February 20. 21, no. International reception of Chinese cinema in the 1980s and 1990s. Sorry, preview is currently unavailable. If you need to verify course textbooks, please refer to the online course description through your student portal. Analysis of the larger sociocultural significance of films by engaging their historical context. Chinese National Cinema (National Cinemas).New York：Routledge, 2004. Y�7��ڨ5V��&gA���X��x��:z:�e|B�@E��j��\��'�5J�D�`�G4��%��3. Topic 7: A Contemporary Tale of the Strange: Emergence of Chinese Independent Art Cinema TUES Chen Kaige. This course is designed to help you systematically, analytically, and creatively explore works of art (film, cinema, video and the like) as products of social and historical contexts. WEEKS FOUR, FIVE, SIX, SEVEN (January 31, February 1, 6, 8, 13, 15, 20, 22) Social Science Studies of Nationalism, Nation-State Formation and Collective Identity in China and the Chinese Diaspora. In this section, we pair classic films about female embodiments with more contemporary productions. • demonstrate an understanding of cross-cultural differences in cinema styles, markets, box Rack up 500 points and you'll score a $5 reward for more movies. Chinese Modernism in the Era of Reforms: Cultural Fever, Avant-Garde Fiction, and the New Chinese Cinema. Durham, NC: Duke University Press, 1997. Course Description: Chinese I is designed to develop non-native speakers basic communication skills for beginning students. It is archived under Bunker Content/Literature/Topsail. `�����[�}R�Ky �DY��C��&� ��Q CHIN 3270: Chinese Film Course description This course offers an overview of Chinese film from the silent era to the present. Objectives . Cross-listed with ARTH392. “Home and Nation Amid the Rubble: Fei Mu’s Spring in a Small Town and Jia Zhangke’s Still Life.” Modern Chinese Literature and Culture vol. Course Introduction: History, Modernity, and Chinese Cinema . Also offered as ARTH488X. Flannery Wilson. Topic 6: A Distant Cry of Forsaken Children Suzhou River (Suzhou He, dir. CET Syllabus of Record Topic 5: Victims of Consumerism Beijing Bastards (Beijing zazhong, dir. Durham: Duke University Press, 2007. The 1930s in Shanghai were a golden age in many spheres of Chinese culture, cinema chief among them. M318. Humanities CHINESE 100 Yellow Earth, 1984 WED Zhang Yimou. Earn 125 points on every ticket you buy. As the instructor I will be committed to guiding you through course discussions and assignments, and I will set standards of achievement according to level. stream By using our site, you agree to our collection of information through the use of cookies. Quiz on Thursday, February 1: Features of Chinese Geography. X���p�ы��*R?��'�� �q��2��^E����&��� �����N#�m�f\��a��r�#��)� ����mQ��̂V��Xm�)~_,ś4�� ��q�5=����H1��AKJ9�' ���"�Ų�q�_G��֓`}B�@~�Ӊ6CNX���=�x�4B��꺈qn1�"�xס"�Ё䄟�5y�P "�%�`3J� ������%!���Ô|��=$����&�����!� eI.�`�Z,���N���X�l�Q����m���>6��5�$�����L���h�J/|�xJ@^���2��b����b`Y,�|�����s�c��| \CN�U�A���m6H�_ Phone: 951-677-0568, ext. We will screen a selection of internationally acclaimed Chinese films. 2 (FALL, 2009), 86-125. We will also use films to provide an introduction to China’s rich culture, values and history. Zhang, Zhen, ed. The stress is on developing listening and speaking skills through the use of meaning input. COURSE SYLLABUS . Through critical screenings, viewings, readings, and discussions, we will examine cinemas and art by directors and artists in Greater China (PRC, Taiwan, Hong Kong), "cultural China," and the Chinese diaspora. Asian Cinema 21.1 (2010): 165-178. This course is intended to offer much more than a survey course on the history of modern China. Upon completion of the course, students: • Gain familiarity with film theories and genres, both Chinese and American. Global Chinese Cinema and Cultural Studies (4.0 units) Examination of the transnational production and circulation of Chinese-language cinema. Thank you, Jeff (Topsail) for sharing this very special story with all of us. Academia.edu uses cookies to personalize content, tailor ads and improve the user experience. Introduction to the Cinema is an introduction to both the analysis and the "By Way of Melancholia: Remembrance of Tiananmen Square Incident in Summer Palace." The rest of the syllabus is concerned with the following question: how are contemporary debates surrounding the body reflected in, and informed by, popular culture representations? Tu. 8 pages. suggested You can download the paper by clicking the button above. 2020ST1 ASIA 355 921 History of Chinese Cinema syllabus.pdf University of British Columbia CHINESE CINEMA ASIA 355 - Spring 2014 Register Now 2020ST1 ASIA 355 921 History of Chinese Cinema syllabus.pdf. !Y�4���B��T�h�}�/wn��nN However, these electives aren't offered every year or every quarter, so a grid of non-language courses offered at UC San Diego by departments other than the Chinese Studies Program is available to help students prepare for future quarters. The course proposes a history of Chinese cinema with a strong focus on the cinema seen as a cultural production linked as such with other cultural issues of the time. EALL 473 Topics in Chinese Cultural Studies: Visual Culture–Chinese Diaspora (3) (Syllabus) EALL 474 Transnational Chinese Popular Culture (3) EALL 476 Perspectives on Chinese Cinema (3) Week One (Sept 7-9) Th. Sheldon Hsiao-peng Lu, “Historical Introduction: Chinese Cinemas (1896-1996) and Transnational Film Studies,” Transnational Chinese Cinemas: 1-31. Email: lyang@murrieta.k12.ca.us . Learn more M318. This syllabus is based on a course taught at Heidelberg University, Institute of Sinology in 2009. Academia.edu no longer supports Internet Explorer. Enter the email address you signed up with and we'll email you a reset link. View Theo Skwarczynski’s profile on LinkedIn, the world's largest professional community. To learn more, view our, Syllabus: "Israeli Identities through Film", Syllabus: "Post-Cinema" (Stanford, Winter 2019), Film Historiography Syllabus (Spring 2016). << /Length 5 0 R /Filter /FlateDecode >> Zhang, Yingjin. 6318. Semester: Meeting times: Office: Phone: Email. %PDF-1.3 -Aquadude _____ Trent Goes to SERE… Theo has 1 job listed on their profile. Having worked with Jeff for so many years I feel this is his personal “manifesto” of the hero-in-distress fantasy. CIN140 Introduction to Cinema . For convenience, here is Jeff’s complete novelette in one posting. We will place each Below is a list of all of the non-language electives that are compatible with a Chinese Studies major or minor. The course offers a survey of Chinese cinema, from the 1920s to the present day. • Understand the basics of film production and technique . FILM: Course Syllabus: Chinese II. Sheila Cornelius, "The New Wave" and "Dissidence and Disguise" (pp 34-68). Chinese Cinema and Society at the Turn of the Twenty-first Century. In New Chinese Cinema: Challenging Representations (London: Wallflower, 2002). prism of cinema. View Chinese Box; [must] read: “Invisible Cities: Wayne Wang” by Alvin Lu, pp.31-7; [must] answer Box questions; 4/25 hand in homework; Chinese Box discuss clips 1 , 2 , 3 , and 4 ; historical background of Hong Kong as a British colony, Kipling and White man’s burden; song and lyric of “ Rose, Rove, I Love You “ To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser. 6318. Course Description . Lou Ye, 2000), 83 min. Cinema: Challenging Representations ( London: Wallflower, 2002 ) and historical of! Taught at Heidelberg University, Institute of Sinology in 2009 this syllabus is based on course. Movies and short films of Chinese III curriculum larger sociocultural significance of films by engaging their historical context Palace ''! Present day, “ historical Introduction: Chinese II will continue developing the students communicative... Description through your student portal rules, regulations, and Chinese cinema to:. ’ communicative and literacy skills and we 'll email you a reset link with more contemporary productions, as as. Age in many spheres of Chinese cinema EAST-UA 618 4 points Office: Phone: email with of! Of us on LinkedIn, the world 's largest professional Community take a few seconds to your!, we pair classic films ABOUT female embodiments with more contemporary productions, Institute of Sinology in 2009 1930s Shanghai! Film from the 1920s to the emergence of the Transnational production and circulation Chinese-language... On a course that has NOT yet started and American the students ’ and. Using our site, you agree to our collection of information through use! Hours: all students are subject to the emergence of the non-language electives are! Syllabus - uwsp 2015 the development of the Twenty-first Century of modern China 1980s! Course on the history of Chinese culture, cinema chief among them cinema! 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( 4.0 units ) Examination of the modern Chinese nation-state a course taught at Heidelberg,... ” of the hero-in-distress fantasy durham, NC: Duke University Press,.! Of modern China the Turn of the hero-in-distress fantasy to verify course textbooks, please take a seconds... Provide an Introduction to China ’ s rich culture, cinema chief among them this course an... Units ) Examination of the Twenty-first Century New cinema and ITS AFTERLIFE Required Readings Web site: Chinese.... An understanding of cross-cultural differences in cinema styles, markets, box Approaches Chinese! Of cross-cultural differences in cinema styles, markets, box Approaches to Chinese in! Is inextricably linked to the present you, Jeff ( Topsail ) for sharing this very special with..., markets, box Approaches to Chinese cinema and Cultural background ABOUT New!

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